I Kill Giants (2017)

One from the to watch pile…

I Kill Giants (2017)

Film: Having a site called ‘The To Watch Pile’ means I need to make sure I watch as many new films as possible… well, not necessarily ‘new’ but certainly ones I haven’t seen before. My ACTUAL to-watch pile is ridiculously large and is spread across my house, filling a footrest and a whole cabinet under my TV. I know that a lot of this is going to be pretty awful, and as a devout movie fan. I’m happy to torture myself with silly stuff. I also know that occasionally I’m going to find a gem amongst the manure.

.. and this is one of them.

I Kill Giants was written by Joe Kelly and is based on the limited series comic made by him along with Ken Niimura which was published by Image Comics between 2008 and 2009. It was directed by Anders Walter, who win an Academy Award for his 2013 short film Helium.

I Kill Giants tells of 12 year old Barbara (Madison Wolfe), an extraordinarily strange girl who walks to the beat of her own drum, resisting normalcy no matter what her sister, Karen (Imogen Poots) asks if her, no matter what the school psychologist, Mrs. Mollé (Zoe Saldana) says and especially no matter what school bully, Taylor (Rory Jackson) does to her, and she seems to have an incredible strength that rises her above all this.

This is because Barbara has a secret: she is the sole defence for her town against the constant threat of giants. Giants that no one else can see.

Barbara has covered the town with protective runes, and has many wards and symbols that help her in her goal, and she also enlists new neighbour Sophie (Sydney Wade), but this causes a problem… Sophie can’t see what it is that Barbara says she can, and is concerned that perhaps Barbara isn’t quite mentally well, and maybe that disbelief will cause Barbara to lose her powers against the giants…

An ambiguous synopsis? You better believe it. Honestly I’ve watched the film twice as of this writing and I am still not quite sure if Barbara can see these mythical creatures or not, and I think that perhaps that ambiguity really makes the film something special.

It’s not just the ambiguity of Kelly’s script though, it’s also the acting skill of the cast, both the established older actors and the children. This whole film hangs on the talent of Wolfe and she not only rises to the occasion, she nails every scene she is in. In particular, there is one scene where she is being challenged by the psychologist and goes from distracted to tears no naturally it’s astounding.

The other small rise to the occasion too. You forget that Saldana has amazing talent now that she is a blockbuster sweetheart, and I have to say her characters husband is played by Noel Clarke was a nice surprise, me being a Doctor Who fan. Imogen Poots also kicks goals with her role as the sister who is trying to keep her family together after a family tragedy (which is an underlying theme of the plot) and her frustrations are almost palpable.

Walter has created a beautifully designed film too. The constant dark and oppressive sky doesn’t just set a tone of potential danger, and reflect Both Barbara’s real and fantastic situations, it also acts as somewhat of a cover for the films giants, which beautifully fit into the landscape.

I honestly didn’t know what to expect from this film, and I have to say I was surprised by what I did get: an engaging quasi-fantasy film that played an amazing song upon my heartstrings.

Score: ****

Format: This film was reviewed on the Umbrella Entertainment R4 NTSC DVD which runs for approximately 106 minutes. It is presented in 2.35:1 image which is great, and a decent audio, running on Dolby 5.1. I did have the sound lose sync on two occasions, but I have been assured by Umbrella Entertainment that this has not been a common complaint.

Score: ****

Extras: Seems to be a common thing with Umbrella DVDs these days, but no extras.

Score: 0

WISIA: I did enjoy this film, very much, but I think it would lose some of its magic with a rewatch, so I thunk I’ll leave it where it is.

Krull (1983)

One from the to watch pile, even though it’s technically a rewatch, though I haven’t seen the film since it’s first release on VHS in the 80s…

Krull (1983)

Film: I am terribly sorry to those of you who love the Peter Jackson Lord of the Rings/ Hobbit films, but they aren’t for me. I don’t like ‘em. Sure they are technological achievements in cinema and Jackson fulfilled a lifelong dream, but they are just so looooooooooooooong, and boring.

Yep. Boring.

What I want from a fantasy film is expediency in storytelling, a story that tells a Dungeons and Dragon styled ‘bunch of rogues versus impossible evil’ tale, a pile of violence, and maybe, just maybe, boobs.

Krull was directed by Peter Yates, who directed things like The Deep, An Innocent Man and Eyewitness, from a script by Stanford Sherman, who wrote a whole bunch of episodes of the Batman TV show from the 60s, and honestly, that possibly shows with this movie.

Krull tells of the occupants of the planet called… Krull! Krull has a scourge on its surface though in the form of the Beast (voiced by Trevor Martin), and his constantly teleporting vehicle/ castle/ meteor The Black Fortress.

On the evening of the wedding of opposing kingdoms Colwyn (Ken Marshall) and his bride, Lyssa (Lysette Anthony), The Beast attacks and everyone is killed, except for Colwyn, and Lyssa is kidnapped. With everyone from both sides of the family killed, Colwyn in now the king of a united kingdom, but has no army.

So, he travels across the land, collecting a band of miscreants, including a cyclops who is cursed to see his own death (Bernard Bresslaw), a wizard (David Battley), an elderly seer (Freddie Jones) and a gang of escaped convicts (including Robbie Coltrane, Liam Neeson and Alun Armstrong with several others) overcoming many obstacles and adventures until they finally find themselves at the gates of The Black Fortress, ready to save the princess trapped inside.

So, yes, what you see here is the classic fantasy story with all the tropes, like kidnapped princess, evil bad guy, ragtag gang of heroes, charming male lead, that has been used in everything from Robert E. Howard’s Conan stories, to Star Wars and even video games, and Krull doesn’t try to rise above and challenge those lofty themes.

The world of Krull, like Star Wars, is a wholly fantasy one that exists outside of any Earthly timeline… perhaps it too, is a long time ago in a galaxy far, far away… though it appears to be set in a D&D styled environment, with a little sci-fi thrown in for good measure.

As I mentioned, the script is as one would expect. It’s camp and attempts a Shakespearean styled dialogue even though what they are saying is melodramatic claptrap… which I guess is perfectly Shakespearean! Thankfully the performances are solid, and the direction and cinematography is amazing. The exterior shots are impressive long shots which show amazing scenery, and the smaller scenes and interiors, all filmed in a soundstage a Pinewood Studios incredibly, look fine.

The special effects are occasionally clunky, but it’s to be expected. In actual fact some of them are quite effective, like the stop-motion crystal spider and even the cyclops’s prosthetic eye, though Bresslaw’s lack of vision is occasionally apparent when he has trouble manipulating objects.

There is also a couple of effects which are surprisingly gruesome for a G rated film, especially in regards to the Beast’s appearance, and the fact that his H. R. Giger-ish soldier’s head split open and release a bloody worm that burrows into the ground.

Krull is a fun rollicking adventure that you can watch with the kids. Sure it’s nothing you haven’t seen before, but it’s charm outweighs how derivative it might appear.

Score: ***1/2

Format: This bluray release of Krull from Umbrella Australia is presented in a 2.35:1 image with a Dolby DTS 5.1 audio, both of which are really nice for a film that’s 30 years old.

Score: *****

Extras: There’s a nice mix of extras on this disc.

We have two commentaries (found under the ‘Audio’ selection rather than in the extras). One is a cast and crew commentary performed by director Peter Yates and performers Ken Marshall and Lysette Anthony and another labelled a ‘Behind the Scenes’ Commentary, which features a reading taken from Cinefantastique, a now deceased sci-fi magazine.

In the regular Extras section, there is a trailer for the film, Journey to Krull, a half hour TV special on the making of the film and finally, a look at the Marvel Comics Movie Special of Krull, which came out in 1982 (Marvel Comics, in the 80s, and after the success of the comics of both Star Wars and to a lesser extent, 2001:A Space Odyssey, was doing heaps of comic adaptations of films, some of which became regular series’s, like the aforementioned Star Wars and The Further Adventures of Indiana Jones). This feature shows panels of the comic with dialogue from the film played over the top.

The cover is also reversible: one side has new art from Simon Sherry and the other has the original poster art from the 80s.

Score: ***1/2

WISIA: Now that it’s back under my nose, I’m sure I’ll have no problem putting it in again when I feel like a nice easy watch.

The To Watch Pile’s GoFund Me campaign

You may have heard, like Arnò above, that running a website isn’t free. I don’t mind that either as the To Watch Pile is a passion project and I enjoy doing it cost is something that can accompany ANY hobby.

I want to change things up a little though, and start a comic related podcast, and extend my YouTube stuff up a bit more, but need equipment to do so, and unfortunately I DON’T have the capitol for it.

So, I have started a GoFund Me Page to try and acquire better cameras, microphones and stuff so I can make more content for you to enjoy.

I can’t offer anything in return, but just a bit of spare change thrown towards the TWP will not just keep the doors open a bit longer, but also give me an opportunity to make more engaging content, maybe even with an occasional co-contributor!

The link for the page is right here: https://www.gofundme.com/keep-the-to-watch-pile-website-afloat?pc=ot_co_dashboard_a&rcid=e28632772b5242a08151aafce5b9b0a0

Night of the Comet (1984)

One from the rewatch pile…

Night of the Comet (1986)

Film: As a horny oversexed teen, this was probably one of the top ten most borrowed VHS films that I hired from my local video shop. Was I because of the high quality acting and drama? The exploration of mankind’s survival at the end of the world? The two gorgeous babes who were the main characters?

Well, I’d like to say it was the first two, but as you probably all will know, it was the hot girls.

No apologies: it was all hormones.

Anyway, having already been a fan of both the book and the BBC TV series of John Wyndam’s Day of the Triffids and I Am Legend by Richard Matheson (not to mention the 80s teledrama of Triffids and Boris Sagal’s The Omega Man), I was on board with this film from the premise, the addition of Kelly Maroney and Catherine Mary Stewart were just a bonus.

This film was written and directed by Thom Eberhardt, who also gave us Soul Survivor, which, like this film, is reminiscent of another uncredited text (in that case Survivor by James Herbert).

Everyone is excited by the comets that are about to fly above the earth, especially Samantha’s (Kelly Maroney) step-mother, whom, while her father is away, is throwing a ‘comet party’ with a bunch of neighbours and her sleepy potential boyfriend. When Samantha and her get into an argument, Samantha runs away and hides, missing the comet event.

Meanwhile, Samantha’s sister, Reggie (Catherine Mary Stewart) is also stuck inside while the comets fly over, but instead, she is staying in the cinema she works in with her ‘boyfriend’, whom has made a deal and has to wait for a guy to arrive with some film reels.

The problem for them both, though, when they wake the next morning, is that they find that everyone who has watched the comet has been reduced to dust, except for an unfortunate few who have become a kind of sun-hating, vampiry things.

They make there way to the city, and have fun (to a cover of Cyndi Lauper’s ‘Girls Just Wanna Have Fun’) in the abandoned malls and meet up with another survivor, Hector (Robert Beltran) who quickly leaves them to see if his family survive, and with a promise to return.

Whilst he is away the girls get in trouble with some of the mutants, but are saved by a team of scientists, one of whom is the friendly Audrey White (Mary Woronov), but does this team of scientists have an ulterior motive to help the girls, and if so, will Hector be able to save them?

This film is a real distillation of the 80s: it features a bunch of characters straight out of a Valley girl/ John Hughes movie nut in a horror/sci fi situation that contains liberal amounts of humour with its walls.

The cast are likeable enough, though Beltran gives off a weird vibe… like he doesn’t want to be there… to the whole preceding. I think the girls and the ‘zombies’ and the scientists are such a charactures that Beltran seems too ‘real’ and he rings untrue within the confines of the movie. There’s no doubt that he is a fine actor, but I’m not sure he is a perfect fit here.

If I’m to criticise the film at all, it must be as to how quickly our two teenage heroines get over the death of…well… everyone. They have a few moments of existential crises, but manage to rise above and get back to shopping and hanging out at the empty mall pretty quickly. There personal issues with the situation are not what the story is about, so on with the show, I guess.

It’s a fun story, if you overlook the ‘influences’ I mentioned earlier, and the special effects suit its age and it’s look.

Score: ****

Format: This review was done on the Arrow films, Region B Bluray release which runs for 95 minutes and is presented in a clear 1.85:1 image with a decent 2.0 audio track.

Score: ***1/2

Extras: As one would expect from Arrow, a shedload of extras!

There is three different commentaries on this disc, one by actors Kelli Maroney and Catherine Mary Stewart, another by writer/ director Thom Eberhardt and the last one by production designer John Muto. Each of the commentaries gives an interesting take on the making of the film, and ultimately they combine to make a pretty cool total experience of the making of the film.

Valley Girls at the End of the World is a really nice recollection of the movie from Catherine Mary Stewart and Kelli Maroney.

The Last Man on Earth? is an interview with Robert Beltran where he talks about his starring role in the film, and he kind of sounds like a bit of a demanding self-involved jerk. I do like his idea of Eberhardt making a sequel now to see how the characters recreated their new world.

End of the World Blues is an interview with cult movie legend Mary Woronov, and she talks a little about her career and her experience with this film. She is still the coolest person that I’ve never met.

Curse of the Comet is an interview with make-up supervisor David B. Miller and his effects used in the film

There is also a trailer for the film.

This package from Arrow video also contains a DVD copy of the film, a reversible cover with alternate artwork, and a booklet featuring an essay about the film by Moviemail’s James Oliver.

Score: *****

WISIA: I have fond memories of this film and no matter what future format may surface, I’ll buy it again and again.

H.P. Lovecraft’s Dagon (2001)

One from the rewatch pile…

H.P. Lovecraft’s Dagon (2001)

Film: I have a lot to thank Stuart Gordon for. If I had never seen Re-Animator in the 80s, I may never have become the fan of H. P. Lovecraft that I did, which means I may never have become the voracious consumer of horror literature that I am, and the book hoarder that’s associated with that.

Yeah. Thanks, Stuart,

What it does mean though, is that any mention of a film being ‘Lovecraftian’ gets my attention, as even though I have consumed much of his output, I am always interested in what others definition of it is. Just like steampunk isn’t just a gear stuck to a stovepipe hat, Lovecraft isn’t just tentacles and old gods. There is SO much more: an aesthetic that just can’t be described that lightly, so I am not going to attempt it here.

This film, Dagon, is a mixture of Lovecraft’s story of the same name, written in 1917 and published in the journal The Vagrant two years later, and another tale, The Shadow Over Innsmouth, written in 1931, but not published until 1936 as Lovecraft himself didn’t like it. The script for the film was written by Gordon collaborator Dennis Paoli, who also wrote the scripts for Gordon’s films Re-animator, From Beyond, Castle Freak and The Pit and The Pendulum.

Entrepreneur Paul Marsh (Ezra Godden) keeps having a dream of a mysterious underwater city and a beautiful mermaid who dwells there, even whilst on a sailing holiday of the coast of Spain with his beautiful girlfriend, Bárbara (Rena Moreño) and their investors, Howard (Brenda Price) and Vicki (Birgit Bofarull).

One afternoon they all hear some mysterious chanting coming from the shore, and very soon a storm swiftly moves in. Howard goes to move the boat away from a reef they were anchored near, but the storm is too fast, and the yacht is smashed against some rocks, painfully trapping Vicki’s leg in the rent in the wooden hull.

With all their communications conveniently down, Paul and Bárbara go to shore in a dingy to find help but what they quickly find is a town full of strange misshapen people who pray to an old god and whom Paul seems to have a history… or a destiny with. This becomes even more apparent when he meets the wheelchair-bound Uxia (Marcarena Gómez) who is the spitting image of his dream mermaid…

Now this story doesn’t resemble Lovecraft’s text greatly, mainly due to the modern setting, but thematically it does its best to delivery the ideas in it. In general though, one can’t be too critical of that as every Lovecraft film Gordon has done resembles Lovecraft’s text only on a surface level, and I don’t mind that as Re-animator and From Beyond are pretty awesome… especially Re-animator, which is my favourite film of all time, without fail.

The story of this film is pretty interesting and the mixture of the Lovecraft tales works well together. Gordon’s direction is typically wonderful, but if I must criticise the film for anything, it’s use of CGI effects is far too early, and considering what Gordon is able to do with practical effects, these stick out awfully… even moreso in this Bluray presentation.

For a film that was made almost twenty years after Gordon’s Re-animator, there is an aesthetic cast revelation in Godden that Gordon likes his heroes to be very much like Jeffrey Coombs portrayal as Herbert West. The rest of the cast is good as well (is it just me or does Moreño have an uncanny resemblance to a young Elle MacPherson) though the Spanish film legend Francisco Rabal, and I don’t want to be disrespectful to someone who has worked since 1943, has a monologue that is barely comprehensible, and when you consider this monologue tells the history of how the town came to worship Dagon, it’s pretty bloody important!

This is nowhere near Gordon’s greatest work, but it is a nice addition to his output of Lovecraft tales.

Score: ***1/2

Format: This film was reviewed on the Umbrella Entertainment, region B Bluray which runs for 98 minutes and has a nice 1.77:1 image with an excellent DTS-HD Master Audio 5.1 audio.

Score: ****

Extras: There’s a couple of extras on this disc, none of which are really that special:

B-roll/ Making Of is NOT what the title would suggest and is instead some shot-on-video of the cast and crew at work.

Interviews with Macarena Gómez, Stuart Gordon, Raquel Meroño and Ezra Godden reveal their experiences on the set, sometimes their first times, and it’s a pleasant, casual series of interviews.

Interviews from the Set is more with Stuart Gordon and Ezra Godden, on the set of the film and they talk about what the film is about.

There is also a teaser, trailer and TV spots for the film. Weirdly, the trailer doesn’t default to the screen edge of you Tv and instead, hovers in the middle with black bars all round.

The presentation of the film, the third in Umbrella’s Beyond Genres series, is immaculate. The slipcase and slick art by Simon Sherry is spectacular (seriously Umbrella, get this art on T-shirts ASAP!!!), and the inner sleeve has the original tale by Lovecraft, which, if you are ancient like me, may take a magnifying glass to fully appreciate.

Score: ***

WISIA: I love Gordon’s body of work and this, being another loose Lovecraft adaptation, is well worth watching over and over again.

First Look: PlayStation 4 Spider-Man

One from the to play pile…

First Look: PlayStation 4 Spider-Man

I love superhero video games, even more than horror-related ones. I think it’s because in general I find that horror games occasionally plod, and depend on jump-scares for their horror value, but that’s the nature of the beast, isn’t it?

Games occasionally try to replicate the feelings one get when one is encountering another source of that genre. Horror games want to emulate a great horror film, but they can’t really as the greatest horror films tell a lot of story in their short timespan, and a horror game that does that doesn’t have much interaction, which defeats the purpose of it being a ‘game’.

Superhero games work perfectly as superhero comics are action surrounded by story, which means a LOT of interaction as part of the storytelling, as that is the nature of the genre.

When people talk about superhero games, DC usually gets discussed first as they have dominated video games with their brilliant Arkham Asylum games and the Injustice series, which combined the best of the DC Universe and Mortal Kombat… but Insomniac Games may have turned that around.

Now I have only had this game for a little over a day, but I’m in love with what it does. It’s true to the character and the design of everything is immaculate, from the Fisk security employees to the multiple Spidey costumes, which so far I have opened his original suit, the video game suit, a punk suit, the Scarlett Spider suit, the Iron Spider suit and it looks like heaps more are available.

It really feels like a Marvel comic set in New York as well. The city is magnificent and bloody huge! It’s obviously not as densely populated as one would expect to see as the real New York, but I imagine the processor of most systems would have trouble with that kind of population.

Our story isn’t a part of either the regular Marvel Universe or of the Marvel Cinematic Universe but is instead it’s own thing and starts about 8 years after Peter Parker first became Spider-man, and the arrest of Wilson Fisk, aka The Kingpin starts a series of events that will bring a new gang to light on New York, and will bring Spidey up against many of his old foes.

The action is fast and you get very quickly into the game as it tastes like a Marvel product, especially with Stan Lee making an appearance as Restauranteur Mick!

There is heaps of cool releases of this game, I grabbed the special edition which came with an art book (which contains spoilers) and a download code for some cosmetic extras. Also available was a ‘statue’ edition, which came with a statue of Spiderman, and a PS4 edition which came with a ‘Spiderman’ themed PS4.

There is heaps of cool other stuff available too. Funko have made Pops of the 4 main characters, and there is an amazing art book from Titan Books, which is totally worth it if you are into cosplay as the designs of EVERYTHING from this game feature within its pages.

So far I am having a blast with this game and am finding it a decent challenge with a fun skill tree to advance through. The last open-world game I played for a long time was Watchdogs 2, and I’m thinking that this game will take over from that with mindless fun can be had with bank-robbery styled side quests, and puzzles to expand your Spider-armoury.

All in all, if you have a PS4 or like Marvel characters, you need this game.

Black Panther (2018)

One from the to watch pile…

Black Panther (2018)

Film: Now even though this is technically a rewatched film, I’m going to label it a To Watch Piler… why? Well I received a free ticket to see this at the cinema, and unfortunately it was a Mum’s and Bubs session, which means the house lights were on the whole time, so any scene that takes place at night is almost unseeable, especially when the lead cast member is wearing all black!

Black Panther is one of the Marvel Cinematic Universe movies, which all join together in a story ten years in the making which will all be resolved in 2019’s sequel to Avengers: Infinity War. Black Panther has been an important character in the Marvel comics universe since his first appearance in Fantastic Four comics in 1966, and has been an important member of not just that team, but also the Avengers as well as having several impressive comics series’ himself.

The film was directed by Creed director Ryan Coogler from a script that he co-wrote with Amber Lake’s Joe Robert Cole, and what they created caused a massive bag of excitement for its positive role models.

Black Panther tells of the country of Wakanda’s new King T’challa (Chadwick Boseman), who has ascended to the throne after the death of his father (in the film Captain America: Civil War) but the road to his regency isn’t smooth.

First, whilst being watched by his people, including his mother Ramona (Angela Bassett), potential wife Nakia (Lupita Nyong’o) and sister Shuri (Letitia Wright – the real revelation of this film), he must prove his worth as a leader in battle, but all the while, machinations are happening outside of Wakanda that may still threaten his rule.

A man calling himself Erik Killmonger (Michael B. Jordan) has teamed up with arms dealer Ulysses Klaue (Andy Serkis) but what is there nefarious plan, and how does it effect the rule of the Black Panther.

This film initially reminds me of a superheroic version of a James Bond film, much like Captain America: The Winter Soldier did. It has exotic locations, improbable inventions and a wry sense of humour as Boseman performs his African James Bond alongside Wright’s ‘Q’ and Forrest Whitaker’s ‘M’ as they face off against an eccentric bad guy with a sidekick with a bizarre weapon, not to mention a bevy of women, all of whom are defined by their skill, brains and asskickery rather than their looks.

The design of the film is magnificent: quite possibly the best a Marvel film to date has to offer, and the colours jump from the screen and are a nice tribute to the beauty of many African cultures, but occasionally the CGI effects fail. Ok, they don’t actually fail, but there is a standard of effects that some blockbuster films seem to think is ok which occasionally don’t sit right, due to the physics of gravity or the extension limits the human body has. I get it’s a movie based on a comic, but if you are selling it as real, it shouldn’t look like a comic. Also, there is some CGI animals that just don’t look quite right.

Ultimately, the one thing I find about this film that doesn’t work is it’s just an introduction. The Black Panther storyline is reminiscent of the first Iron Man’s story of the rights of ascension in a technological world, and serves really as just frosting on the cake that is actually film that could be called Wakanda: A Prelude to Infinity War, as it sets up one of the battlefields for the next Avengers movie, just as the first Thor and Captain America films were really just a way of getting the punter ready for a more complete film experience with the first Avengers film.

In saying that though, I don’t want to discount the amazing work it did with having a sympathetic bad guy and a great set of role models for various groups that in pop culture don’t get as many as the white male population.

This film, even though it is a fun film, in 100% sticking to the Marvel formula so if you are expecting TOO much different from the stations that the hype train stopped at whilst this film was at the cinemas, you will be disappointed.

Score: ***

Format: This film is presented in an impeccable 16:9 image with a matching DTS-HDMA 7.1 audio which is absolutely amazing.

Score: *****

Extras: As one expects with Marvel films, they have a pack of extras ready to role, some about this film, and others to advertise other product, but why wouldn’t you do that with a captured audience?

There is a Featurettes section which contains 4 parts: Crowning a New King which looks at the character of Black Panther and his world, The Hidden Kingdom Revealed is an introduction to the fictional African nation of Wakanda and making it a ‘real’ place, The Warriors Within looks at the actors who play the various Wakandans throughout the film and finally, Wakanda Tevealed: Exploring the Technology looks at the cool toys in the film.

The usual Marvel Gag Reel is present which seem to get less and less funny each time, as the actors seem to almost be acting the gags.

There is four Deleted Scenes which, like the rest of the film, are quite charming, and honestly, whilst I normally think most deleted scenes are better off deleted, there are a couple of bits here that have some heart that would not have hurt the film at all.

From Page to Screen: A Roundtable Discussion is a really cool look at all the writers of the character, including not just the movie creators, but also comic writers like Don McGregor, Ta-Nehisi Coates and Christopher Priest.

Marvel Studios:The First Ten Years – Connecting The Universe is the first of the Marvel sales pitches on this disc of the Marvel Cinematic Universe. There is no doubt it is extraordinarily clever and it is pretty cool when any series of films have a linking world, like Kevin Smith’s View Askewniverse and more importantly, Universal’s monster movies of the 40s that had multiple crossovers in the form of House of Dracula and House of Frankenstein. This is a fine albeit short celebration and for a moment, you look at all these separate movies as one big story, rather than a series of films with a, to date, continually unresolved plot device as it’s connective tissue.

Exclusive Sneak Peek at Antman and the Wasp is another one of those aforementioned self-promotional pieces that shows off the next attraction coming to the ci emas, in this case, Antman and the Wasp. The first movie was so charming that I actually am really looking more forward to this that either the sequel to Infinity War or my beloved Captain Marvel movie (in which I believe the main character has been miscast, but prove me wrong, Marvel).

There is also an Audio Commentary by writer/ director Coogler and production designer Hannah Beachler is fascinating as it doesn’t talk about the usual writer/ director stuff, it also explores the design of the entire world of Black Panther and Wakanda.

Score: *****

WISIA: As it is a part of the greater world of the Marvel movies, I will watch it again, but it’s not a top tier Marvel movie for me.

Roger Corman: Exploits of a Hollywood Rebel (2011)

One from the re watch pile…

Corman’s World: Exploits of a Hollywood Rebel (2011)

Film: I sometimes wonder if when the Lumière brothers stood on the shoulders of Thomas Edison and William Dickson and created their wonderful Cinématographe machine if they ever sat down and discussed the wonders of what their creation may hold in the future.

‘I imagine one day a man will make a film about an Island of Fishmen!’

‘I imagine one day someone will make a film called ‘ Dinoshark’!’

‘I imagine one day someone will adapt the work of Edgar Allen Poe into a series of films!’

‘I imagine one day a man will make a film with a spaceship in it that has boobs on it!’

‘I imagine one day a man will make all those films, and write/ produce/ star in many many more!’

‘Oh Auguste, don’t be ridiculous: one man could never do all that in one lifetime!!’

Well, one man did, and continues to do so! Roger Corman would have to be the most important man in the history of cinema. He is certainly a rebel before his time who has not only nurtured such talents as Ron Howard, Jonathon Demme, Joe Dante, Jack Nicolson, Martian Scorsese, Peter Bogdanovich and many others, he’s also been at the forefront of effects development, expediency of production (both time and money wise) and just the ability to show that any story, if made cheap enough, can be a financial success… and DAMN the critics. Audiences and critics want different things from cinema!

I believe that B movie fans like myself are generally Corman fans before they realise that Corman exists. I know my youth was spent looking at Famous Monsters and watching late night creature features, a lot which have probably disappeared from my memory through the eons I’ve been alive, so I must have really experienced his work around this time. For certain though, I definitely know I watched Battle Beyond the Stars, and even as a kid knew it was a cheap seats version of Star Wars, but Sybil Danning…. sigh!

It wasn’t until my Fangoria years in the 80s that I really realised what a spectacular output Corman was responsible for, and here, with the documentary Corman’s World: Exploits of a Hollywood Rebel, we get to see just why his influence on the movie industry is a unique and important one.

Written and directed by Alex Stapleton, who reviewed two important nominations for this film, one the Golden Camera at Cannes and the other a Rondo Hatten Classic Horror Award, this film looks at Corman’s history, the amazing successes he’s had over the years, and the daring steps he took into all different areas of production, direction, distribution and even sociological ideals which may not have always been wholly acceptable by the moral majority.

This film is a concise look at an amazing career, that still continues today, and with the absolute catalogue of talent interviewed here, we get a look at what Corman did for so many people in Hollywood, even if that just meant them finding out exactly what they WOULDN’T want to do as far as production is concerned.

Highly recommended.

Score: *****

Format: This film was reviewed on the UK Bluray release which runs for approximately 90 minutes. For the most part, the image is excellent and presented in 1.78:1 but that occasionally changes depending on the historical footage shown. The audio is a matching quality DTS-HD 5.1.

Score: ****1/2

Extras: There is a pretty cool bunch of extras on this disc:

Extended Interviews takes all the stuff that didn’t make the cut to the film but still had interesting stories to tell.

Special Messages to Roger is a nice collection of tributes to Corman from his contemporaries, acolytes, apprentices and dilettantes. Some are heartfelt, some funny, but all seem to be genuine!

There is also a trailer for the film. Nicholson’s comment from the film,’ by mistake, he made a good picture every once in a while’ should have been the Tagline to the whole thing, and it’s quoted here.

Score: ***1/2

WISIA: I actually love film documentaries almost as much as I love movies, and this is one I watch regularly.

The New Look For The Doctor

Today, the BBC released a pic of what the new look for the Doctor (Jodie Whittaker) in Doctor Who is going to be…


Personally, I think it looks great. Slightly reminiscent of previous Doctor’s looks but well and truly with a look of her own. My concern for our first female Doctor would be that they would ‘sex’ her up’, but thankfully they haven’t. I’m really looking forward to this change in direction!

The Super Nintendo Mini for Horror Fans!

So today I grabbed one of these beauties:


The Super Nintendo Mini! I preordered it several weeks ago, actually upon announcement, as this was my favourite video game system of all time.


I’ve only hooked it up to a little Sonic TV and I’ve played almost all of the 21 games, I leave the RPGs to a later date, but the unit is cute, about ten cm square and 5 or 6 cm high, but the controllers feel like they are the same size as the old ones. I bought it so I could play Super Mario and Mario Kart again, but was thrilled to find that a couple of frustrating old favs in the horror/ science fiction genre have made it on as well.


The awesome sideways scrolling…. actually, these three all are…. beat em up/ shoot em up Castlevania IV where you are making your way through a map slowly taking on harder and harder villains and obstacles.


Next is Super Ghouls and Ghosts:


Super Ghouls n Ghosts was a classic arcade game and it’s still fun and frustrating and features a brave knight in a fight against zombies, werewolves and other supernatural beasties.


Last but not least was the game Contra III: The Alien Wars


Contra III is another similar style of game but can be for two players simultaneously as two tough guys are up against an alien invasion.

So what did I think of the unit? Well, I’m not a retro gamer in the slightest and even though I appreciate the look back at the past and the fun that I had with these games, especially things like Starfox and Street Fighter in addition to the ones I mentioned above, but I’d rather super cool, realistic graphics and online connectivity with my gaming. Sure this was fun, but we certainly live in a better time for gaming now!

It’s a fun distraction, but I don’t see myself playing it for a great deal of time.