First Look: PlayStation 4 Spider-Man

One from the to play pile…

First Look: PlayStation 4 Spider-Man

I love superhero video games, even more than horror-related ones. I think it’s because in general I find that horror games occasionally plod, and depend on jump-scares for their horror value, but that’s the nature of the beast, isn’t it?

Games occasionally try to replicate the feelings one get when one is encountering another source of that genre. Horror games want to emulate a great horror film, but they can’t really as the greatest horror films tell a lot of story in their short timespan, and a horror game that does that doesn’t have much interaction, which defeats the purpose of it being a ‘game’.

Superhero games work perfectly as superhero comics are action surrounded by story, which means a LOT of interaction as part of the storytelling, as that is the nature of the genre.

When people talk about superhero games, DC usually gets discussed first as they have dominated video games with their brilliant Arkham Asylum games and the Injustice series, which combined the best of the DC Universe and Mortal Kombat… but Insomniac Games may have turned that around.

Now I have only had this game for a little over a day, but I’m in love with what it does. It’s true to the character and the design of everything is immaculate, from the Fisk security employees to the multiple Spidey costumes, which so far I have opened his original suit, the video game suit, a punk suit, the Scarlett Spider suit, the Iron Spider suit and it looks like heaps more are available.

It really feels like a Marvel comic set in New York as well. The city is magnificent and bloody huge! It’s obviously not as densely populated as one would expect to see as the real New York, but I imagine the processor of most systems would have trouble with that kind of population.

Our story isn’t a part of either the regular Marvel Universe or of the Marvel Cinematic Universe but is instead it’s own thing and starts about 8 years after Peter Parker first became Spider-man, and the arrest of Wilson Fisk, aka The Kingpin starts a series of events that will bring a new gang to light on New York, and will bring Spidey up against many of his old foes.

The action is fast and you get very quickly into the game as it tastes like a Marvel product, especially with Stan Lee making an appearance as Restauranteur Mick!

There is heaps of cool releases of this game, I grabbed the special edition which came with an art book (which contains spoilers) and a download code for some cosmetic extras. Also available was a ‘statue’ edition, which came with a statue of Spiderman, and a PS4 edition which came with a ‘Spiderman’ themed PS4.

There is heaps of cool other stuff available too. Funko have made Pops of the 4 main characters, and there is an amazing art book from Titan Books, which is totally worth it if you are into cosplay as the designs of EVERYTHING from this game feature within its pages.

So far I am having a blast with this game and am finding it a decent challenge with a fun skill tree to advance through. The last open-world game I played for a long time was Watchdogs 2, and I’m thinking that this game will take over from that with mindless fun can be had with bank-robbery styled side quests, and puzzles to expand your Spider-armoury.

All in all, if you have a PS4 or like Marvel characters, you need this game.

Who Is Wonder Woman?

Who Is Wonder Woman

In recent years, Wonder Woman has finally gotten the respect she deserves. That’s in no doubt due to the absolutely amazing reaction from the cinema going public to the Wonder Woman movie starring the spectacular Gal Gadot.

WW has always been one of DC Comics ‘Big Three’, the other two being Superman and Batman, both of whom have been extraordinarily successful in other medium: video games, cartoons, TV shows, movies… but realistically WW has only ever worked before on TV in the seventies, and even then, it took three goes to get that right.

I’m getting ahead of myself through and I should answer the question that is asked by this very trade paperback: who IS Wonder Woman?

Wonder Woman is a character owned by DC comics and was created by William Moulton Marston, and polyamorous psychologist who also invented the polygraph machine, and first appeared in All-Star Comics issue 8 in 1941, with art from Harry G. Peter.

She is a being from the island of Themyscira, a place inhabited by a race of warrior women, and after proving herself through a series of trials, Wonder Woman… or Diana as she is better known, travels to ‘man’s world’ as an emissary of peace.

Now this origin is where Wonder Woman has her problems: over the years, Superman and Batman’s origins have more or less stayed the same, but Wonder Woman’s have occasionally been reinvented, and in that reinvention become a character whose solid foundations are shaky.

Funny enough, though all that change has rocked those very foundations, this trade paperback, collecting Wonder Woman numbers 1 through 4, and annual 1, embraces all that variety and even celebrates it.

This collection has a really interesting introduction by Brian K. Vaughan, the writer of Vertigo’s Y: The Last Man and Image Comic’s Saga which is a real interesting take on the Spirit of Truth.

Story: This story takes place after a massive upset in the DC universe, as Wonder Woman has killed a man known as Max Lord: the founder of Justice League International, and unbeknownst to everyone, a psychic villain with the power to coerce others into doing as he pleases… by breaking his neck.

This story takes up Wonder Woman’s life a full year after that event, and even though she has been exonerated of his murder, she still feels she may no longer be the symbol of hope she professed to be, and so, hands the title of ‘Wonder Woman’ to her younger ‘sister’, Donna Troy.

N.B.: I put the word ‘sister’ in inverted commas as Donna Troy is another character with an origin that has been screwed up over and over and I honestly can’t remember which this one is.

Anyway, Diana has reinvented herself, with the help of Batman and Superman, as Agent Diana Prince and is teamed up with Nemesis, an older DC character at the Department of Metahuman Affairs and gets to face a cavalcade of her enemies, from Cheetah, to Dr Psycho, and even Circe, who even takes on the mantle of Wonder Woman.

Will Diana Prince reveal herself as being the real Wonder Woman, or is the secret identity more important to who she has grown into?

This entire tale of Wonder Woman is a great read, and even though it does have a bunch of guest stars, it never gets bogged down in re-introducing them. Allan Heinberg, a TV and comic writer who is also responsible for the script for the Wonder Woman movie has created a cool spy story, with a bunch of superheroes thrown in for good measure, and it is a heap of fun and runs at a great clip.

Also, it re-invents Wonder Woman without disrespecting what has come before, and even the 60s martial arts master I-Ching gets a mention, as does Diana’s white jumpsuit from the same era.

As a side note: I must admit to having a sly smirk on my mouth when Hercules is re-introduced, and Nemesis refers to him as ‘the REAL one’, as DC’s Hercules appeared in comics over 20 years earlier than Marvel’s more famous one.

Score: ****

Art: Boy, oh, Boy, do I love the art in this book!

There’s is no doubt that I adore the art of Terry Dodson, and when inked by his partner Rachel Dodson, is a perfect storm of super powered heroes that never… Ok, rarely… descends into the anti-storytelling of the nineties books that were cheesecake and beefcake shots. All of the poses of the characters are powerful looking and the story is told really well with some amazing choices of layout.

The redesign of most of the characters fit this story really well. Diana as secret agent looks tough, Hercules looks godlike, Donna Troy, who with a lesser artist would just look like The Diet Coke version of Diana, has her own look and Circe villainy is apparent by the spectacular lighting choices made.

As a side note, there is also a back-up tale by Gary Frank and Jon Sibal with Dave McCaig which is like a revisiting if all the main Wonder Woman characters origins. Frank’s art is as good as it generally is, his superhero bodies are always super-heroic, but occasionally there are some facial expression that look out of place. There’s not really much substance to the story as it is like a sports recap.

Score: *****

WIRIA: It’s a gem that is worth re-reading if only for the Dodson’s spectacular art.

R.I.P. Steve Ditko

Was sad to see that comics legend Steve Ditko, co-creator Of Spiderman, Dr Strange, and the lesser know, but still important Charlton comics Blue Beetle and Captain Atom, as well as supernatural comic from Defiant Dark Dominion.

I discovered Ditko’s work as a kid with the reprints that Newton comics did in Australia of various Marvel comics, and whilst I was really into the dynamic action of Jack Kirby, I also appreciated the quiet moments that Ditko was able to convey, as well as his depiction of Spidey as a lithe hero, something Kirby perhaps could not have done.

He also had this amazing capacity to add an almost regal, austereness to every panel featuring Dr. strange.

I think the last time I really read a Ditko comic, other than reprints, was in the failed Jim Shooter comic company Defiant, who he drew an amazing comic called Dark Dominion, and his artwork always contained that same calm beauty.

Rest In Peace, Steve, and thank you so much for giving us opportunities to see some amazing artwork.

Black Panther (2018)

One from the to watch pile…

Black Panther (2018)

Film: Now even though this is technically a rewatched film, I’m going to label it a To Watch Piler… why? Well I received a free ticket to see this at the cinema, and unfortunately it was a Mum’s and Bubs session, which means the house lights were on the whole time, so any scene that takes place at night is almost unseeable, especially when the lead cast member is wearing all black!

Black Panther is one of the Marvel Cinematic Universe movies, which all join together in a story ten years in the making which will all be resolved in 2019’s sequel to Avengers: Infinity War. Black Panther has been an important character in the Marvel comics universe since his first appearance in Fantastic Four comics in 1966, and has been an important member of not just that team, but also the Avengers as well as having several impressive comics series’ himself.

The film was directed by Creed director Ryan Coogler from a script that he co-wrote with Amber Lake’s Joe Robert Cole, and what they created caused a massive bag of excitement for its positive role models.

Black Panther tells of the country of Wakanda’s new King T’challa (Chadwick Boseman), who has ascended to the throne after the death of his father (in the film Captain America: Civil War) but the road to his regency isn’t smooth.

First, whilst being watched by his people, including his mother Ramona (Angela Bassett), potential wife Nakia (Lupita Nyong’o) and sister Shuri (Letitia Wright – the real revelation of this film), he must prove his worth as a leader in battle, but all the while, machinations are happening outside of Wakanda that may still threaten his rule.

A man calling himself Erik Killmonger (Michael B. Jordan) has teamed up with arms dealer Ulysses Klaue (Andy Serkis) but what is there nefarious plan, and how does it effect the rule of the Black Panther.

This film initially reminds me of a superheroic version of a James Bond film, much like Captain America: The Winter Soldier did. It has exotic locations, improbable inventions and a wry sense of humour as Boseman performs his African James Bond alongside Wright’s ‘Q’ and Forrest Whitaker’s ‘M’ as they face off against an eccentric bad guy with a sidekick with a bizarre weapon, not to mention a bevy of women, all of whom are defined by their skill, brains and asskickery rather than their looks.

The design of the film is magnificent: quite possibly the best a Marvel film to date has to offer, and the colours jump from the screen and are a nice tribute to the beauty of many African cultures, but occasionally the CGI effects fail. Ok, they don’t actually fail, but there is a standard of effects that some blockbuster films seem to think is ok which occasionally don’t sit right, due to the physics of gravity or the extension limits the human body has. I get it’s a movie based on a comic, but if you are selling it as real, it shouldn’t look like a comic. Also, there is some CGI animals that just don’t look quite right.

Ultimately, the one thing I find about this film that doesn’t work is it’s just an introduction. The Black Panther storyline is reminiscent of the first Iron Man’s story of the rights of ascension in a technological world, and serves really as just frosting on the cake that is actually film that could be called Wakanda: A Prelude to Infinity War, as it sets up one of the battlefields for the next Avengers movie, just as the first Thor and Captain America films were really just a way of getting the punter ready for a more complete film experience with the first Avengers film.

In saying that though, I don’t want to discount the amazing work it did with having a sympathetic bad guy and a great set of role models for various groups that in pop culture don’t get as many as the white male population.

This film, even though it is a fun film, in 100% sticking to the Marvel formula so if you are expecting TOO much different from the stations that the hype train stopped at whilst this film was at the cinemas, you will be disappointed.

Score: ***

Format: This film is presented in an impeccable 16:9 image with a matching DTS-HDMA 7.1 audio which is absolutely amazing.

Score: *****

Extras: As one expects with Marvel films, they have a pack of extras ready to role, some about this film, and others to advertise other product, but why wouldn’t you do that with a captured audience?

There is a Featurettes section which contains 4 parts: Crowning a New King which looks at the character of Black Panther and his world, The Hidden Kingdom Revealed is an introduction to the fictional African nation of Wakanda and making it a ‘real’ place, The Warriors Within looks at the actors who play the various Wakandans throughout the film and finally, Wakanda Tevealed: Exploring the Technology looks at the cool toys in the film.

The usual Marvel Gag Reel is present which seem to get less and less funny each time, as the actors seem to almost be acting the gags.

There is four Deleted Scenes which, like the rest of the film, are quite charming, and honestly, whilst I normally think most deleted scenes are better off deleted, there are a couple of bits here that have some heart that would not have hurt the film at all.

From Page to Screen: A Roundtable Discussion is a really cool look at all the writers of the character, including not just the movie creators, but also comic writers like Don McGregor, Ta-Nehisi Coates and Christopher Priest.

Marvel Studios:The First Ten Years – Connecting The Universe is the first of the Marvel sales pitches on this disc of the Marvel Cinematic Universe. There is no doubt it is extraordinarily clever and it is pretty cool when any series of films have a linking world, like Kevin Smith’s View Askewniverse and more importantly, Universal’s monster movies of the 40s that had multiple crossovers in the form of House of Dracula and House of Frankenstein. This is a fine albeit short celebration and for a moment, you look at all these separate movies as one big story, rather than a series of films with a, to date, continually unresolved plot device as it’s connective tissue.

Exclusive Sneak Peek at Antman and the Wasp is another one of those aforementioned self-promotional pieces that shows off the next attraction coming to the ci emas, in this case, Antman and the Wasp. The first movie was so charming that I actually am really looking more forward to this that either the sequel to Infinity War or my beloved Captain Marvel movie (in which I believe the main character has been miscast, but prove me wrong, Marvel).

There is also an Audio Commentary by writer/ director Coogler and production designer Hannah Beachler is fascinating as it doesn’t talk about the usual writer/ director stuff, it also explores the design of the entire world of Black Panther and Wakanda.

Score: *****

WISIA: As it is a part of the greater world of the Marvel movies, I will watch it again, but it’s not a top tier Marvel movie for me.

Future Shock! the Story Of 2000AD

One from the re watch pile…

Future Shock! the Story Of 2000AD (2014)

The cover of Arrow Video’s release of Future Shock

Film: Truly, the best comic fans I know are the ones who grew up with the English comic, 2000AD. Sure, like many comic fans, I bought Marvel and DC as a kid, but these companies had (and still have) ‘style guides’ and even though we like to think we like one artist over another, the companies control the look to fit a company wide aesthetic… even Jack Kirby whilst he worked at DC in the early 70s had the heads of Superman that he drew redrawn by Curt Swan, an artist who probably drew Superman MORE than anyone else, ever!

I think if I had have been Kirby I would have been totally insulted and would have told them to stick their job right up their Hall of Justice.

2000AD was a totally different animal.

2000AD is a science fiction comic which celebrates the diversity of writing and art and within a single weekly issue, you were treated to at least 4 different artist and story teams, telling stories from all of the galaxy, and very rarely from the superhero sub-genre. It introduced the world to characters like Judge Dredd, Strontium Dog, Bad Company, Rogue Trooper and Slaine, just to name a few. It was more like the French comic Metal Hurlant (which is known in the English speaking world by its ‘other’ name Heavy Metal) mixed with an London punk attitude which shouted ‘UP YOURS’ to authority.

Creator of 2000AD, Pat Mills speaks of its origins.

It interesting to point out that even DC realised that maybe they could do something different, something that didn’t have a style guide, and came up with the comic line Vertigo in the 90s which abandoned the strict Comic Code Authority restrictions and made a comic line truly for adult comic collectors, and by adult I don’t mean it was full of tits and violence… well not, always.

(It’s interesting to point out that Stan Lee experimented with doing more adult comics in the 70s and it always fell short, mainly due to the content still being somewhat juvenile rather than truly ‘adult’. DC’s Karen Berger understood better than Lee as to what adults wanted, stole all of 2000AD’s talent, thrived with Vertigo comics whilst Marvel, in the 90s, highjacked Image comics aesthetic and very quickly almost went into bankruptcy)

That’s enough of the history lesson though, what are we here for? Well, this documentary talks to the brains, the original talent and the past fans who became the talent of the comic, and how it thrived even beyond the time of its name! Future Shock is mainly a talking heads styled documentary but it’s subject is fascinating as the comic truly was a document of the time it was released, which is important for ANY science fiction to be relevant.

Comic legend Kevin O’Neill discusses his involvement in the comic.

A massive amount of the UK’s comic talent pool are interviewed here, from Pat Mills to Neil Gaiman, Brian Bolland to Dave Gibbons, Cam Kennedy to Peter Milligan, Emma Beeby to Lauren Beukes… so many talented people with such interesting things to say about the history of UK comics, their own careers and what was happening historically in the Uk at the time.

The documentary is intercut with some pretty cool animation of the old art, and a decent heavy soundtrack that carries the subject changes along nicely (as an aside, seeing Dredd ACTUALLY punch his fist through Judge Fear’s head may have been one of the most exciting things I’ve ever seen).

I’ve watched a lot of comic docos and honestly, I find all of them to be really engaging and definite rewatchers, but this one stands out as being a superstar. It never gets boring, it travels along at quite the clip. If I’m to criticise it at all it’s not due to the makers, but due to writer Alan Moore’s resistance at being interviewed about his craft, and his absence is really quite obvious and unfortunate as his comics that 2000AD published (The Ballad Of Halo Jones and Skizz, just to name a few) are an amazing introduction to his work.

Score: *****

The menu screen for the Bluray Of Future Shock

Format: Future Shocks was reviews on the UK, region B Bluray release which is presented in an excellent, except for archival footage, 1.78:1 image with a perfect LPCM 2.0 audio track, which is fine considering most of the audio is Interview dialogue.

Score: *****

Extras: Arrow have provided a Mega-city full of extras, some of which were made by Arrow Video and are great supplements to the original doco:

Steve MacManus Interview is a 25 minute discussion with MacManus who was the editor of 2000AD from 1979 to 1986 and author of The Mighty One: Life in the Nerve Centre. His reflections on this amazing period for the comic is quite fascinating.

Extended Chapter featurettes just expands some of the discussions in the doco, specifically heap Entertainment” The Appeal Of Comics, Dredd Extended, Dredd 2012 True in Sporit and 2000ad VS The USA.

2000AD Strip Featurettes look at a bunch of different characters through the eyes of the creators, including Bad Company, Tharg’s Future Shocks, Rogue Trooper, Sláine and Strontium Dog.

Art Jam shows some time lapse footage of artists Jock and Henry Flint drawing pictures of Judge Dredd and Nemesis the Warlock.

King’s Reach Tower sees Pat Mills revisit the place where 2000AD was born, King’s Reach Tower.

Soundtrack Studio takes a look at the production of the soundtrack by Justin Graves from Crippled Black Phoenix.

Extended Interviews has more comic knowledge from Mills, Morrison, Gaiman, Gibbons and Berger.

Blooper Reel proves that even in a documentary, people can foul up what they were saying. Special mention goes to the Australian Women’s Weekly for getting a mention.

There is also a teaser trailer and the Uk Launch trailer.

In addition this package contains a booklet with an essay from Pádraig Ó Méalóid about the history

of the comic, some cool art and a few little notes about the disc itself.

Score: *****

WISIA: Seeing as how I love comic documentaries, this will get revisited regularly, especially considering how many extras there are!

The early mock-up of what 2000AD should look like.

Hentai Kamen (2013)

One from the to watch pile…
Hentai Kamen (2013)

The cover of the Australian DVD release


Film: Ahhhhh, manga and Anime: the formats where any perversion, no matter how tentacley is welcomed. I’ve read and watched a lot of stuff over the years, and two manga that certainly caused the weirdo in me to stand up and take notice are Go Nagai’s Kekko Kamen, about a nude heroine who rides a motorcycle, and the one this movie is based upon, Keishū Andy’s Kyūkyoku Hentai Kamen, about a young man who gets super powers whenever he smells the… aroma… of the panties he wears on his face as a disguise.

This adaptation was done by Yūichi Fukuda, both direction and writing, who seems to be mainly a TV writer and director, but is also responsible for the sequel to this film Hentai Kamen: The Abnormal Crisis, which came out three years after this first one.

Kyosuke (Ryôhei Suzuki), the son of a now-deceased police officer and a bondage mistress, is a confused young man. He has inherited his father’s sense of justice and tough guy attitude, but no matter how hard he tries in martial arts training, he just can’t match that with any sort of crime-fighting skill, until the day his new crush, Aiko (Fumiko Shimizu) gets held hostage by a bunch of crooks.

An example of the quality, Shakespearean dialogue.


On this day he manages to find his strength, sneaks into the building, knocks out a guard and takes his clothes, including his mask, but when he goes to put the mask on, he accidentally picks up a pair of unwashed girls panties, and once the… um… aroma… hits him, his perverted gene that he inherited from his mother kicks in and he becomes the superhero Hentai Kamen!!!

Hentai Kamen quickly finds his powers are needed to save his school from the grips of mad criminal who sends assassin after assassin to defeat him, but will brute force beat Hentai Kamen, or will a more cunning plot prevail?

The object of HK’s affection: Aiko.


The main actor, Ryôhei Suzuki, has to be given a huge amount of credit in this film though. He is dressed throughout the film in mainly what only can be described as a white mankini and a pair of panties across his face. Thankfully there isn’t a scrap of fat on his entire body, and I have to admit that maybe my wife stopped whilst I was watching the film and emitted a ‘phwoar’ before casting a disappointed glance in my direction.

Overacted, a touch overlong, with a ridiculous script and some pretty bad CGI all make for a pretty funny movie that entertains and surprises throughout. Not for the faint of heart though, and there are more dick jokes than you could shake a stick at.

One thing this film definitely IS, however, is the cure for all the Marvel and DC movies that are littering the cinemas.

Score: ***1/2

The Australian DVD menu screen


Format: Hentai Kamen: Forbidden Superhero runs for 101 minutes was reviewed on the Australian Madman DVD release which is presented in an excellent and clean 16:9 image with a perfect Dolby Digital 5.1 audio, presented in Japanese with English subtitles.

Score: ***

Extras: The only extras on this disc are trailer for this film, and for Ace Attorney, Real, Badges of Fury and A Werewolf Boy

Score: *1/2

WISIA: This film is 100% a one-watch only. It’s funny, but has no longevity.

Well, why don’t you..?

Captain Kronos, the Comic!

Ok, so I must admit I’ve been a little bit lazy when it comes to the ol’ To Watch Pile, but I have been distracted. The good thing is you, dear reader, probably won’t notice as I try to run the blog six weeks ahead so there is no interruption if I need a week away or something.
For the past two weeks though, I have had a couple of things I really love outside of Horror get released at my local video game specialist.

First was Wolfenstein II: The New Colossus, the first person game based in an alternate universe when the Nazis won the First World War. In itself it is a horror film, and the story with this one (so far) has been full of dread, with great graphics and amazing gameplay, and a free ‘GI Joe’ styled toy of BJ, the hero of the piece.

A promotional poster for Wolfenstein II.


In the same week, Mario Odyssey was released for the Nintendo Switch. I have been waiting to buy a Switch until the new Mario was released and I have grabbed 4 games to various deal of success. Odyssey is truly an amazing piece of gaming equipment!

Finally, a week after those two releases, we have the big daddy release that I buy every year, Call of Duty World War II, which after three years of scifi styled stories (4 if you say Ghosts was a truly scifi setting) we are back to boots on the ground, old school weapons. Funny, after three years of complaining about the movement being far to big a factor of those games, I am finding my skill totally lacking, but it’s a good looking game… maybe I’ll get better at it.

This isn’t me doing a market report or boasting of my crap gaming skills, no, this little piece is to tell you all about an amazing comic that may have slipped by without being noticed.

Titan Books have a fledgling comics line that seems to be picking up steam, which thankfully doesn’t have a shared universe like Marvel or DC and is instead a series of licenses like Assassin’s Creed, the aforementioned Wolfenstein, Warhammer and The Evil Within, just to name a few.

This new series I am excited about is based on a Hammer Horror film called Captain Kronos: Vampire Hunter.

One of the many movie posters to Captain Kronos, Vampire Hunter


This series is written by Dan Abnett, probably best known for the creation of the 2000AD strip Sinister Dexter, and has worked on several Marvel titles The Punisher, War Machine and various X-men titles. I’m not the biggest fan of Sinister Dexter, but I have enjoyed his writing on other series though, including some Doctor Who Magazine comics he also wrote.

The highlight for me though is the art by industry legend Tom Mandrake. I love Mandrake’s work as his art is very pre-Image comics, very proper like artists like John Buscema and Joe Kubert (probably because he was trained at Kubert’s school), and he has worked on many comics over his time, and is know for the co-creation of Batman villains Black Mask and Film Freak. Over the years he has mainly worked on DC titles, but also for Marvel, First, Eclipse and Image Comics.

This comic is doing something that I detest which is alternate covers, but I do like the fact that some of the alternates are called ‘Hammer Glamour’ and have photographs of Caroline Monroe on the cover.

The photo covers to Captain Kronos, Vampire Hunter, issues 1 and 2.


Captain Kronos: Vampire Hunter tells the tale of a group of miscreants sometime in the 18th century who hunt vampires… as the title may suggest. Captain Kronos is a handsome ex-soldier, who is fast on horse and swift with sword, Grost is his hunchbacked, one-legged assistant and finally Carla, lovely, ruthless and skilled at fighting.

This comic furthers his adventures and is full of much vampires and derring-do. I certainly hope it can maintain the quality of these first two issues. If you are a fan of swashbuckling comics, vampires and old school art style, you’ll probably like this comic.

Comic Book Confidential (1988) Review

One from the re watch pile…
Comic Book Confidential (1988)

The Australian DVD cover


Film: I am and always will be a comic fan. Sure there have been periods of time where I haven’t collection, the post-Image world of the 90s for example (I’m sorry guys, I like the old artwork, and the anime/ graffiti styled artwork of those guys never rubbed me the right way… I want my superheroes to be done by the old masters like Jack Kirby, Gil Kane, John Buscema and their ilk) and recently I’ve become disappointed with the storylines which seem to be repetitive and basically made to sell the movies. I understand it’s a business but there seems to be a creative lull, which has happened before as the history of comics is circular and fad based. Something hot today will not even be published tomorrow.

Hell, as of this review we don’t even have the cornerstone of the Marvel universe, the Fantastic Four being published, and that was once taglined as ‘The World’s Greatest Comic Magazine’.

I do still however get collections of old stuff, and I’m fascinated by the history of the art form too, and my book collection has many ‘history of comics’ books amongst it.

William Gaines


This, however, is Ron Mann’s documentary of the history of comic books and it’s a pretty concise and interesting look at how they came about, but the best thing about this doco is the absolutely essential stories from some of the old men, and young guns, of the industry.

It’s pretty special to know the history of Bill Gaines, and then hear him tell stories himself, and to actually hear my hero, Jack Kirby’s voice, is amazing. 

This doesn’t just look at the history of the art of comics, it also takes a walk down the history of comics legacy, and how it was effected by, and how it effected society. There is some great archival footage of the Senatorial Commitee on Juvenile Delinquency and some disturbing stories about court cases where artists and writers were sued for things they wrote or drew.

There is some cool presentations of classic comic covers rarely seen, but occasionally that footage is spoilt by some poorly executed, amateurish animation of the covers which was unnecessary and detracts from the amazing original art.

Harvey Kurtzman


If you want a brief history of the industry, and one that is American centric as none of the great European or Asian artists really get a look in, this is your place to go, but there is so much more to many of the stories discussed in this doco. Honestly. This doco could do with a 1988 to now sequel!

Ron, are you listening?

Score: ****

The Australian DVD menu screen


Format: This documentary was reviewed with the Australian DVD release which runs for approximately 85 minutes. The film is presented in 4:3 and has a 2.0 audio track, both of which are of various degrees of quality due to the historical nature of some of the footage and audio. It doesn’t really detract from the enjoyment of the film though.

Score: ***

Extras: There is several extra on this disc though the first couple are a bit Kevin Smith indulgent. I guess if you pay someone to turn up you take advantage of the time.

The first note is that this doco from the 80s has a new introduction by Kevin Smith, where he basically points out that even ten years later when his introduction was done, it was still relevant.

A Conversation with Kevin Smith is more ‘ a justification for reading comics by Kevin Smith’ and whilst I get the heart of where it’s coming from I don’t get why I have to justify, or convince someone that adults can read comic, the same as a cricket fan does have to justify to me why he likes it. It doesn’t matter what you dig, just respect each other, and if you think you have to justify your passion to a friend, you need new friends.

Silent Bobs Speaks is a not very funny series of questions aimed at Smith’s ‘Silent Bob’ character. Lame.

There is also a trailer for the film.

The is an interview with director Ron Mann who talks about the making of this film and his career in general.

Last there are text biographies of some of the artists featured in the doco, including Robert Crumb, Will Eisner, Frank Miller, Jaime Hernandez, Shary Flenniken, Lynda Barry, Victor Moscow, Bill Griffith, Jack Kirby (of course), William M. Gaines, Francoise Molly, Al Feldstein, Art Spiegelman, Sue Coe, Gilbert Shelton, Dan O’Neill, Stan Lee, Harvey Kurtzman, Harvey Pekar, Spain, Charles Burns and Paul Mavrides. They are single paragraph bios so don’t expect an entire indepth history of each person.

Score: ***

WISIA: I have watched this many times and will probably continue to watch it many more times.

Robert Crumb

Superman/ Batman: Apocalypse (2010)

One from the re watch pile…
Superman/ Batman: Apocalypse (2010)

The Australian Bluray cover


Film: As a comic fan, I possibly love these DC animated features more than the Marvel movies. I like the fact that every film doesn’t require an origin story of the character, and there is an assumption that the viewer KNOWS who Batman and Superman and Power Girl and whomever else is. Throwing out the need to have an origin story makes for a quicker start to the tale, and the DC universe creators are clever with their introductions as sometimes they are as simple as just sitting at a table in JLA headquarters!

The other thing is unlimited budget. The beautiful thing about animation (and comics) is it takes about the same amount of budget to create one explosion or fifty of them, also, it’s a lot easier to change a cast member when all you hear is their voice.

There is also the fact that they just tell good stories almost every time, and that is because they are based on the stories told in the comics, which were far better than any ‘live action’ adaptation. This in combination with some spectacular character design, and the inclusion of one of Jack Kirby’s greatest creations, Darkseid, and other denizens of his awesome Fourth World Saga characters, make for an epic tale.

During a meteor shower, ‘something’ crash lands in Gotham Harbour, making Batman go to investigate. Batman finds a spaceship of Kryptonian origins, a bunch of kryptonite, and a girl, Kara, the cousin of Superman!

Batman prefers hard rock over heavy metal.


Superman and Batman become an unusual parental unit for Kara, who we quickly find out was sent with baby Superman to protect him on Earth, but her ship was knocked off course, arriving so much later that Superman is now older in body that her, as her ships suspended animation kept her at a 16 year old girl’s age. Unfortunately, Batman’s mistrust causes a rift between them and her.

Meanwhile, on the God-world of Apokalips, the evil ruler Darkseid, is attempting to replace the traitorous Big Barda, who left his royal guard as its captain. He is entrusting Granny Goodness, the trainer of warriors, to find her replacement, but she is repeatedly failing. Darkseid has seen Kara fall from the sky too, and entrusts Goodness to capture her so she can become his new Captain.

Meanwhile, again, Batman has employed Wonder Woman to take her Paradise Island to receive proper training, which Superman agrees to, causing a rift between her and him.

With Kara’s disappointment in both her ‘parents’, once captured she is easily swayed to Darkseid’s manipulations… but will she become Darkseid’s greatest warrior?

Supergirl under Darkseid’s thrall.


This is a really cool story, and it shows a lot of the strong women that DC has to offer all in one story, although as a weird juxtaposition, it also has a bizarre sequence where Kara goes shopping in a Pretty Woman styled sequence, which seems to show that even above all the powers, she’s still ‘just a girl’. I don’t know why such a sequence exists in this film, and the film comes to a sudden stop to show it. I have to admit that when we see what she ultimately decides as her outfit, it’s a nice tribute to Laura Vandervoort’s Smallville outfit.

Another thing I like about it is how it links loosely to the previous Superman/ Batman movie, Public Enemies, with a mention of ‘President Luthor’s impeachment’.

There’s some awesome voice casting in this film as well. Kevin Conroy returns as the angry voice of Batman, as does Tim Daly as Superman. Summer Glau from Firefly performs Supergirl but the most inspired vocal choice is TV legend Ed Asner as Granny Goodness, it makes her look even weirder with his deep attempts at a woman’s voice.

All up, this is certainly one of the better DC animated features and for me being a big Kirby fan, it was a pleasure seeing so many of Kirby’s creations, like Big Barda, Granny Goodness, the Female Furies, Parademons, Hunger Dogs… just so many, on the screen.

Score: ****1/2

Format: The reviewed copy of this film was the Australian Bluray which runs for approximately 78 minutes and is presented in a crisp 1.85:1 visual with an clear cut and crisp DTS-HD Master Audio 5.1 audio track.

Score: *****

The Australian Bluray menu screen


Extras: The disc opens with previews for Batman: Under the Red Hood and The Lost Boys: The Thirst before making its way to the main menu.

Under the Special Features banner though is a huge bunch of stuff:

DC Showcase: Green Arrow is a cool 10 minute short highlighting Green Arrow. This is a really cool short that introduces the character of Green Arrow and also features other characters like Black Widow, Count Vertigo and Merlyn. DC only made a few of these and it’s disappointing that they dumped them. This features an awesome line up of actors doing the voices too: A Clockwork Orange’s Malcolm McDowell, Captain America: The First Avenger’s Neil McDonough, Scooby Doo’s Grey Delisle, Futurama’s John DiMaggio and Modern Family’s Ariel Winter!

Bruce Timm’s Top Picks features four episodes taken from Superman: The Animated Series: Little Girl Lost Part 1 and 2, and Apokalips Now! Part 1 and 2.

The Fourth World: The New Gods investigates Jack Kirby’s creation of the New Gods in the early 70s, and how important their creation was to DC at the time, and explores Kirby’s history as well, and how important he was to the history of comic books.

New Gods: Mister Miracle Pod is a distillation of Miracle’s origin.

News Gods: Orion Pod is the same as Miracle’s, but for Orion.

Supergirl: The Last Daughter of Krypton explores the history of the character of Supergirl, why she was so important to the DC universe, and why she continues to be relevant and popular today. Unfortunately this was made before the new TV series starring Melissa Benoist so there’s nothing included from that (at this point, Laura Vandervoort was still Supergirl from the Smallville TV show).

There are also trailers for the Lego Universe, the Jonah Hex motion comic, Batman: Under the Red Hood (again), Justice League: Crisis on Two Earths and Superman/ Batman: Public Enemies.

The final extra is a sneak peak at what was the next release in the DC Animated Features, All-Star Superman.

Score: *****

WISIA: I love these DC animated features, and ALL of them get regularly watched… including this one.

Big Barda expresses her point.

Necessary Evil: Super-villains of DC Comics (2013)

One from the re watch pile…
Necessary Evil: Super-Villains of DC Comics (2013)

The cover of the US DVD


Film: I’ve been collecting comics for well over 40 years, and I still love them to death. I do admit that I did have a period in the 90s where I did not buy any, but that was due to Image comics; not the comics or artists themselves as what they did for artists and writers in the industry was long overdue, but the style of their art.

I’m an old school, Jack Kirby, John Buscema, Bernie Wrightson, Richard Corbin, Robert Crumb guy, so these new flashy artists had no interest to me, and when Marvel and DC started emulating their style, I was out!

Thankfully this didn’t last too long and soon I was back in the fold, enjoying the adventures of masked heroes fighting the good fight against evil, and being a bi-fan: that is, I buy both Marvel and DC comics… but why both? Why in a world where most people buy one or the other, would I get comics from both universes?

The answer is this: I love the realism of most of Marvel’s heroes having a basis in science rather than magic, and without a doubt, Jack Kirby and Stan Lee’s Fantastic Four is still the World’s Greatest Comic Magazine, even though as of the date of this review it hasn’t been published for several years. 

On the flip side of that, I think that DC’s bad guys are greater than Marvel’s. Lex Luther is a great example: in Marvel comics, his equivalent is a good guy, Tony Stark, a weapons manufacturer who became Iron Man. In reality, those sorts of people are seen by the general public as villains, like Luthor. Luther doesn’t hate mankind or want world destruction, he’s xenophobic against Superman.

The man responsible for some of the greatest Batman comics ever written, Scott Snyder


In reality, what would mankind do if an alien came to earth? Luthor’s actions are probably more accurate. Acceptable? No, but when are mankind’s actions acceptable?

Another DC villain that I think is possibly the greatest villain of all time is Jack Kirby’s Darkseid. Darkseid is the dictator of a world called Apokalips, and is at odds with the ENTIRE DC universe. You Marvel fans think Thanos is something to be concerned about? Darkseid would eat Thanos for breakfast!

Anyway, this documentary, Necessary Evil, sits as a great companion piece to the previous documentary Secret Origins: The History of DC Comics, which was released three years earlier. Necessary Evil is hosted by Christopher Lee (the ultimate super villain?) and has interviews with creative types from all walks of life. From psychologists to actors, including but not limited to director Zach Snyder, screenplay writer Geoff Boucher, co-creator of Harley Quinn Paul Dini, DC editor Bobbie Chase, DC editor in chief Bob Harras and many many more.

Producer and author of The Boy Who Loved Batman, Michael Uslan


The film features clips from comics, cartoons, video games, animated films and major motion pictures, and displays many incarnations of the various villains, and is not just a great history of the villains of the DC universe, but is also an interesting psychological look at why we love heroes, but love villains even more.

Recommended, but it’s really only for the most devout of DC comics fans.

Score: *****

The US DVD menu screen


Format: Necessary Evil was reviewed on a region 1 DVD which runs for 99 minutes. The image is presented in a 1.78:1 image and a Dolby Digital 2.0 audio, both of which are pretty good.

Score: ****

Extras: The disc starts with a trailer for DC’s We Can Be Heroes incentive (which is a pretty cool cause http://www.wecambeheroes.org), Man of Steel, the video game Batman: Arkham Origins, the DC animated feature Justice League: The Flashpoint Paradox and the DC animated TV series, Green Lantern, Young Justice and Batman: The Brave and the Bold, and that’s the entirety of the extras.

Score: **

WISIA: Being a comic nut, I have to admit to watching this many many times.

An animated Green Lantern villain: Star Sapphire