Mondo Topless (1966)

One from the rewatch pile…

Mondo Topless (1966)

Film: You have to love ‘mondo’ movies! Titilation and cheap thrills disguised as serious documentaries by directors looking for a quick buck for a budget price, because stock footage and not having to pay for actors and special effects is cheap cheap cheap!

The most famous of these mondo movies usually feature animal slaughter, executions and bloodshed designed to disgust/ thrill the viewer… but these are NOT the ones for me. I prefer the soft, less violent films that feature what used to be called ‘the fairer sex’ before that became a totally sexist and outdated term. Now this film is certainly a product of its time, and today this type of film wouldn’t be produced and shown at a mainstream cinema, but when this was produced, these types of films, like Teaserama and others, replaced the ‘men’s’ club burlesque shows.

Every fan of exploitation should have a basic knowledge of Russ Meyer: World War 2 combat photographer who couldn’t get a break making ‘legitimate’ movies, who then moved into cheesecake photography for Playboy, and settled on making films, the way he, a self-confessed ‘titman’, wanted to see them. Over his career he made 23 films, the best known being John Waters’ favorite film Faster, Pussycat! Kill! KILL!

Mondo Topless starts as a travelogue of San Francisco, where a nubile naked wonder drives us around town showing us not just the city sights, but a couple of hers as well!! The footage is narrated by John Furlong, a Meyer regular, who introduces the city and each of the well-endowed women as well. Over the next 60 minutes we are treated to the sights of 15 women, performing pulsating pastiches of gyrating go-go, irresistible writhing and thrilling thrusting. The film travels to Europe, visiting various strip joints around the world with accompanying footage of dancers from each country. Also as an added bonus, some stock footage of Lorna Maitland, star of Meyer’s film ‘Lorna’, is also seen in random scenes, showing off her ample assets. The display of dynamic dames with dominating domes is not all the film is about though, each of these marvelously blessed misses has a lot to say about the troubles in their lives: the curse of curvaceousness, their opinions towards men who find them sexy or exciting, what they think of the problems in South America, and the threat of the Cuban missile crisis… Ok, so maybe they DON’T discuss some of those subjects, but at times, their now-dated opinions are hilarious, and to a younger viewer, possibly quite scandalous!

Now rest assured this is no soft core or hard core pornography… no no no!! It is pure go-go, GO!!! This is low-priced kicks at their finest, and filmed by King Leer, the Fellini of the sex industry himself: Russ Meyer, you know these women are going to be filmed at obscure angles aimed to excite!! Not all of the footage in this flick was filmed for this flick; some of it comes from Meyer’s 1963 Europe in the Raw feature, which was essentially the same film, but with only European performers in it. The surf guitar soundtrack is supplied by The Aladdins and is a classic example of its type, to be sure!!

Even though this was banned when it first was released in many countries, it is quite tame by todays ‘pornographic standards’… which I guess is an oxymoron, but you, dear reader, know what I mean!!

I would like to end this review with a quote from Meyer himself which sums up the film perfectly: ‘nothing is obscene providing it is done in bad taste’.

Score: **1/2

Format: This film was reviewed using the Arrow DVD release which is presented in an average 4:3 image that does contain a bit of grain and an occasional artefact. The audio is present in 2.0 stereo and isn’t special but the era of the film, and type of film don’t really lend itself to needed high quality sound.

Score: **

Extras: There is a bunch of really cool extras on this disc, not a huge amount, but a decent set… um… of extras… anyway:

Trailer Reel features trailers for Faster Pussycat! Kill! Kill!, Blacksnake, Mudhoney, Vixen, Wild Gals of the Naked West, Supervixens, Beneath the Valley Of The Ultravixens, Cherry, Harry & Rachel and Common-Law Cabin, which is a pretty fair overview of Meyer’s output, though a trailer for ‘Lorna’ was conspicuous by its absence.

Photo Gallery is 18 promotional pics from the film, and whilst I am normally not a fan of this sort of thing, it does show the advertising campaign for the film.

Johnathon Ross: Interview with Russ Meyer sees a very young Johnathon Ross (from 1988) interview the master himself, taken from his series of docos ‘The Incredibly Strange Film Show’. It runs for about 40 odd minutes and is a nice look at his history and a selection of his films. Also featured in this doco are Tura Satana, Roger Ebert and Malcom McClaren.

Score: ****

WISIA: Like all of Meyer’s films it’s not one to sit around and watch with the family, but I have to admit to having seen it several times but not due to the boobs: the dialogue is occasionally hilarious and the lounge music soundtrack is pretty awesome.