Film: I wonder if Jake West realised that his first documentary about banned films, called Video Nasties: Moral Panic, Censorship and Video Tape, was going to be such an amazing piece of work. I have to say that there is probably only two documentary films series that I really could watch as much as I watch regular cinema, they are these two films, and a Gary Hustwit series of three films called Helvetica, Objectified and Urbanised (a loose series starting with regular things we see every day, but looked at from a design point of view (if you haven’t seen them, give them a watch!))
The first film in this series, reviewed elsewhere on this very site, dealt with the banned films of the so-called ‘video nasty’ era in the UK, whereas this film deals with the fallout; the censorship and movie classification under the direction of the Secretary of the British Board of Film Classification (BBFC), James Ferman.
It’s an interesting look at the pointlessness of having both censorship and classification, as they don’t work together: why have an age related classification of (18) if you are then going to cut it?
It makes no sense.
The reasoning behind it damaging people psychologically wasn’t proven then, and nor is it proven now… and if these films are so bad, why do the censors get to watch them? What makes THEM above us… and why is age a level for censorship? I know immature 50 year olds (I am one) and I’ve observed 20 years old far more mature than me… and hang on, what is maturity anyways?
It also steeps into the specifics of ridiculousness of some decisions. For example, nunchucks and ninja stars were seen as problematic weapons for films, so those films were rejected or edited. This led to cuts made to Teenage Mutant Ninja Turtles 2: The Secret of the Ooze.
It would seem that Ferman’s rule seemed to become an excuse for him to exert his lost career as a director and re-cut others films. One of his criticisms claims he made ‘censorship by stealth’.
This film features interviews with everyone involved, from ex-BBFC employees, government officials, film-makers, film journalists and so many others that it presents a quite an even discussion about censorship, especially considering some of the interviewees have such varied opinions about what is ‘good’ censorship, and when does it become borderline fascism? There is also a lot of supplementary material from the time that shows how moral panic can lead to dangerous societal results.
This documentary seems to be far more relevant now with the rise of the so-called ‘cancel culture’. Is it right to delete art because it doesn’t stand up to current standards? If we delete prejudice and violence will it change our state of thought or are those things printed on some of our DNA strands?
I’m just a guy who likes movies so don’t look at me for the answers!
All in all it’s a fascinating look at archaic laws, how some politicians who believe themselves to be better educated than you DECIDE what is good for you, and just how quickly power can corrupt anyone.
The image and sound on this disc aren’t great, but it’s just talking heads so the need for hi-def, 1080hp with super duper surround sound probably isn’t needed.
Extras: Oh did you want extras? Well, buckle up, sunshine!
Disc 1 has a series of slideshows: the first is a selection of fanzines who traded in illegal video tapes, then we have DPP72 and DPP82 which show the covers of films banned/ almost banned.
This disc also has trailers for The Playgirls and the Vampire, Grindhouse Trailer Classics 2, Night of the Bloody Apes, Children Shouldn’t Play With Dead Things, Dead of Night, Cannibal Girls, Teaserama, Varitease, Ghost Story, Bloodbath at the House of Death, Fausto 5.0, Gwendoline, Between Your Legs, Cruel Passion, Escort Girls, Some Like It Sexy, Fantasm, Fantasm Comes Again, The Good Little Girls, Justine’s Hit Nights, Scandalous Photos, Dressage and Education Anglaise. (Though both Fantasm and Fantasm Comes Again attach to the same trailer, which is a bummer)
There is also a couple of Easter eggs that feature images of programs and passes from various film festivals, and a short film “It’s Just A Movie’.
Disc 2 and 3 have, in total, about 10 hours of trailers (which for length-of-review reasons I won’t list them all) of the Section 3 video nasties, with introductions.
WISIA: It’s fascinating and a great supplement to the first documentary, but meanders a little. That hasn’t stopped me from giving it several watches.