One from the to watch pile…
The Addams Family (2019)
Film: So this review has started,
I’m afraid I was disheartened,
so bad that I was startled,
by The Addams Family
Dahdahdahdah *click click*
Ok, I’m sorry but I needed to get that out of my system. That damned song is such a part of The Addams Family lore and legend that I felt I needed to get it out early, but now I’ve written it I’m afraid it’s revealed exactly what I thought of this film.
By do you want more than that amusing ditty to explain my thoughts on the film?
Ok, seeing as how you asked nicely…
The Addams Family were created by 20th century cartoonist Charles Addams in 1938, and were first published in the New Yorker as a series of single panel jokes that show a bizarre gothic family, including husband Gomez, wife Morticia and children Wednesday and Pugsly, along with Uncle Fester and Grandmama (and later on housekeeper Lurch and additional family member Thing) musing on the marvels of modern life in middle class America.
This cartoon went on to spawn a hit, and legendary, TV series starring John Astin and Carolyn Jones, as well as a cartoon and special guest appearances on the cartoon Scooby Doo, not to mention two hit films starring Raul Julia, Angelica Houston, Christopher Lloyd and an amazing Star turn by then young actor Christina Ricci as Wednesday… and a couple of lesser known efforts like the Tim Curry and Darryl Hannah led film.
This isn’t to mention that their entire look and lifestyle has influence an entire fashion culture of goth, and I’m sure every man and woman wished for a romance and dedicated partner like Gomez or Morticia!
Unfortunately, no dead horse can go unflogged and so a new version of The Addams Family has being released into the world. This time we have a more child-aimed CGI film featuring the voice talents of Oscar Isaacs, Charleze Theron, Chloe Grace Moretz, Finn Wolfhard, Nick Kroll, Bette Midler and Snoop Dog… yep, cause the kids LOVE that rap musics… and playing Cousin Itt. They must have had too much money to spend on voice talent to waste Dogg’s distinctive voice on a character that sounds talks in little more than pops and whistles like Keyop from Battle of the Planets!
In this take of the Addams Family, we see all the subtlety of the theme of ‘being yourself’ thrown out the window, which the writers have done the extraordinary thing of making it both sublime and stupid
Our story sees our heroes living in their very haunted house on the top of a misty hill over looking the town of… are you ready?… Assimilation, which is a model American town built by the TV renovation star, Margaux Needler (Allison Janney from I, Tonya), who is a horrible combination of an American midwestern Tammy, and your average complain-to-the-Mánager-haircut Karen, maybe with a handful of Mattel’s Barbie thrown in for good measure.
The Addams family’s house doesn’t quite fit in with her idea of the town, and so she starts a campaign to change the aesthetics of it. This has come at quite a bad time though, as Wednesday and Margaux’s daughter, Parker (Elsie Fischer) have started a friendship and their fashion styles have started to crossover, with Wednesday starting to wear pink and white, and Parker… well, becoming more ‘Wednesday’… actually, becoming more Souisix Souix.
Not only is this happening, Pugsley is preparing for his Bar Mitzvah styled coming of age celebration which involves a rather extensive dance involving a family scimitar, but Pugsley’s a modern Addams, and relies less on blades, and more on explosives… will the family turn their back on tradition in favour of the boys more modern was of execution?
Of course, as you can see, this film involves all of the things one would expect from the Addams Family, but it all falls disastrously flat. Not just because it is the SAME thing almost every time they trundle out the franchise but also because they don’t sell it well. It’s ok to do the same thing over and over; cinema goers actually expect it (that’s why there is so many remakes and sequels), but rather than make it blatant, try dressing it up differently. The idea of making the ‘assimilation’ of the Addams Family was probably fun and seemed like a good idea, but it flat out was not.
Whilst we are talking about assimilation, the flat out rip off of the live action movie’s ‘Mamoushka’ for Pugsley’s coming-of-age party was almost offensive to the writer’s of that film. It offered nothing except for an opportunity for the character designers to come up with some occasionally clever but mostly bad other members of the family.
Most of the vocal casting is on point, aside from the aforementioned Snoop Dogg appearance, except for Pugsley. In casting a Stranger Things actor, who are so hot right now, there is a requirement to perhaps overuse them, and the character of Pugsley, who is better as a foil for Wednesday, comes across as an anxiety-stricken mishmash of Kevin McAllister from Home Alone, and as a slow-mo fuelled, John Woo supercop, and it all falls flat. I would have rathered seen a shorter film with all the Pugsley stuff cut out.
Wednesday is a difficult sell in this film also. Not because they changed the character, and some of the comedy from her ‘assimilating’ is actually quite funny, but because, in my experience, so many teenage girls seem to talk in bored monotones, and unusual haircuts are the norm. When Parker makes her dramatic change to Addams style, her character doesn’t change really at all: bored, hates her parents etc etc. Even though this was aimed at kids, maybe the better idea would have been to make it more about young Morticia and Gomez, which is how the film starts, and their courtship. He’ll, if you really HAVE to revive this franchise and you hire Theron and Isaacs, why not do it live action: they would look great together onscreen in these roles!
I liked the character design in the film as rather go for a more realistic style, they really emulated Charles Addams’ art, but modernised it somewhat. At times the characters almost feel like animated toys due to their grotesque appearances (even the normal ones) and it is almost jarring when you see a close up, for example, of Morticia’s skin and can see it’s not made of clay or plastic.
Another thing that really irritated me more than I can explain is the use of a couple of songs in the film. Firstly, at one point we see Lurch sitting at the piano, and instead of his usual moans sings in perfect tones, and the other is the song used in the appearance of Cousin Itt. Seeing as it is Snoop Dogg performing the character, they choose to use the song ‘Drop it Like it’s Hot’ but as it’s a kids film, blank out the words ‘bitch’ and ‘weed’… if you are going to use a Snoop song, pick one with no swearing or drug references, or another song altogether.
There is some pretty obscure film references peppered throughout the film, including Invasion of the Body Snatchers, various Universal Frankenstein films and the Man Who Laughs.
Essentially, this film is terrible, and if you want to introduce your kids to ANYTHING Addams Family, this should be the horrible secret, hidden in the attic, and fed a bucket of fish heads once a week.
Format: This review was done with the Australian Bluray release, and both the 1.85:1 image and the DTS-HD Master Audio 7.1 are impeccable.
Extras: This release does have a few extras on it.
There is four deleted and extended scenes, which the film neither benefits from having in or out. All of the excised bits were obviously dumped quite early as they only appear as rather basic animations.
Charades with Thing is quite possibly one of the worst ‘games’ I’ve ever seen on a DVD or Bluray.
Life of a Scene explains how storyboards eventually become the final product.
Welcome to the Family would be a decent little making-of featurette if it were longer.
Addams Family Throwback is a barely one minute look at the odd occasion where the film takes elements of Charles Addams’ original cartoons and incorporates them. I’m not sure how important they ACTUALLY thought this is as the extra goes for barely a minute. It was nice to see Addams’ art, though.
Thee is also videos for Haunted Heart by Christina Aguilera and My Family, which doesn’t seem to be credited, but they are really just bits of the movie with the lyrics displayed over the images,
WISIA: *dahdahdahdah Heck, No!