One from the to watch pile…
Sidecar Racers (1975)
Film: I fell absolutely head-over-heels in love with Australian filmmaker Mark Hartley’s documentary Not Quite Hollywood, which was an amazing celebration of the Australian film industry’s darker, and perhaps occasionally sleazier side. There is a problem with admiring that doco as much as I do, though.
I have found myself in a situation where all you have to do to sell me a film, is describe it as an ‘Ozploitation Classic’ and dammit, Australian company Umbrella Entertainment have found so many films of this ‘Ozploitation period’ that my stupid DVD and Bluray collection is swollen with so many films that I may not have bothered with.
The Gods of Marketing have discovered my Kryptonite and take advantage of it at every opportunity.
This offering is certainly a film that I would never have bothered with as it’s about a sport, and I have a mind and a body made for horror, sci-fi and action, I’m afraid, but here we are, due to that dastardly label.
Sidecar Racers was directed by prolific American TV director Earl Bellamy, who worked on everything from The Brady Bunch to The Mighty Isis, from a script by John Cleary, who has several of his novels made into movies, such as High Road to China and Scobie Malone (based of his book ‘Helga’s Web’).
Sidecar Racers tells of Jeff Rayburn (Ben Murphy), a former American Olympic swimmer who is spending is time bumming around Australia, trying to figure out what to do with his life when he happens upon Lynn (Wendy Hughes) who sees his amazing balance whilst surfing and introduces him to her not-quite boyfriend, Dave (John Clayton), a sidecar motorcycle racer who was responsible for the death of his former racing partner in a horrific crash.
Dave and Jeff become a solid team and have dreams of hitting the European Sidecar Racing Circuit, but only if their partnership can survive their mutual affection for Lynn, a local motorcycle gang and more importantly, Dave’s seemingly self-destructive nature.
One of the things I found amazing about this movie is the fact that you’d have to be an absolute bloody mad-person to have ever engaged in this sport! Crappy 70s cycle-gear, nutso-drivers and insane daredevilry make for a spectacle that I can’t say I’ve seen before.
This film, of course, has a few names floating around in it other than the ones I’ve mentioned above. John Meillon (Crocodile Dundee) plays a mechanic known as ‘Ocker’, Peter Graves (Million Impossible TV series) plays Lynn’s father and type magnate Carson and Australian well-known TV face Serge Lazareff, seen in things like Bluey, Cop Shop and A Country Practice.
It’s a weird film too. It comes across as a pretty straight drama, with an occasional odd directorial choice. For example, there is a ‘musical interlude’ scene where a live band is playing at a party, and the singer spends part of the time looking directly into the camera as if she’s aware that it’s there. Fans of understated and subtle acting won’t find much here for them either as it’s as melodramatic like you wouldn’t believe. Every piece of emotion is underlined with shouting rather than actual ‘acting’.
The films also runs at 100 minutes, which is probably about 20 minutes too long, and even then, the ending is ultimately, a little unsatisfying.
This is a fun, albeit silly film that for me is more interesting as a document of Australia in 1975. Honestly, I didn’t realise that Wendy Hughes was such a stunner either, so that was a pleasant surprise.
Format: This film was reviewed on the Umbrella Entertainment DVD release which is presented in a surprisingly good 1.33:1 image with a clear 2.0 mono audio track.
Extras: None, not even a menu screen. The disc rolls straight into playing the film.
WISIA: It not being the type of film I’d normally watch, but for the images of Australia in 1975 it’s worth looking at again.