The Nun (2018)

One from the to watch pile…

The Nun (2018)

Film: At some time, earlier this century, someone in Hollywood decided that movies with ‘real’ killers, like slashers and so-called torture porn, were no longer in vogue, and that the cinema going kids needed to be afraid of the supernatural again, and of things that are associated with the bible and western religions. Is Hollywood trying to scare kids back to church? I’m not so sure, but what I do know is that these films, and I am going to single out The Conjuring films (a series of which this film is a part of) and the Insidious films, are by-the-book formulaic works that are only labelled ‘horror’ by the easily frightened or those who have never been to the cinema before, and think of movies as some kind of magic performed by warlocks and witches.

This film, The Nun, is written by Gary Dauberman, who also is responsible for the two Annabelle films, but on the bright side gave us the wonderful adaptation of Stephen King’s It, and directed by Corin Hardy, the director of the horror film The Hallow, and a bunch of music clips. It all, of course, takes place in the fictional world created by Chad and Carey Hayes for the original Conjuring film, directed by James Wan.

This film, though, tells of a priest, Father Burke (Demian Bichir doing is very best Father Karras from the Exorcist impression) and a mildly psychic novice nun, Sister Irene (Taissa Farmiga) who are sent into the woods of the Romanian countryside to investigate the apparent suicide of a DIFFERENT nun, but the convent they are visiting has a terrible secret, and along with their guide, a French-Canadian named… sigh… ‘Frenchie’ (Jonas Bloquet) they must fight against the forces of evil, embodied by a horrific figure of a yet ANOTHER Nun (Bonnie Aarons).

Taking elements from SO many films this movie struggles to find it own identity, and falls on its face with its tale. All through this film I was constantly reminded either by visual cues or by plot devices that it’s originality was somewhat lacking. It is like a mix of scenes from amazing Euro-horror films like a The Church, The Sect, the Blind Dead Series and others, I even got a Silent Hill vibe a couple of times, but without the originality, or even the honesty of those films.

The very best thing I can say about this film is it’s filmed great and the locations are exquisite. I should also point out what a striking figure that Bonnie Aarons strikes as the titular Nun: her look is quite unique and ready makes the character something special!

Unfortunately, this film is a veritable checklist of horror tropes, all making for a film that screams ‘GENERIC’ at the top of its lungs. Seriously, you could play ‘horror trope bingo’: “I’ve got ‘lights flickering off one by one in a hallway’…. BINGO!”

A blurb on the back claims ‘The Scariest Conjuring Yet’: it’s not, and out of a group of films that flat out AREN’T scary at all, that isn’t even a badge of honour, and by the way, if Nun-spoliation is your thing, this isn’t.

It’s a ‘bimbo’ film: boring, but pretty.

Score: *1/2

Format: This film was reviewed on the Australian release Bluray, which is presented in a perfect 2.40:1 image with a matching Dolby HD-DTS 5.1 audio.

Score: *****

Extras: There are 4 extras on this disc:

A New Horror Icon which explores the look and design of the Nun, and discusses her ability to be a resounding icon.

Gruesome Planet is an amazing travelogue of Romania, where this film was made, and it looks at the various castles and other locations used.

The Conjuring Chronology places the entire series (this film, the two Conjurings and the two Annabelle films) in the order of their occurrence.

There are 7 Deleted Scenes on this disc which wouldn’t make the film any better or worse if they styled in.

Score: ****

WISIA: The only way I’d ever watch this again is by accident.

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